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Typical issues we can fix or resolve include cracked or damaged screens, faulty projector bulbs, faulty image display, audio issues, power issues and cracked or damaged casings.Īll of our repairs are guaranteed and in most cases we can quickly access replacement parts to ensure quick turnaround for repair jobs. We service most brands of rear projection TVs including Sony, Samsung, Philips, Panasonic, Toshiba, LG, Sharp and Sanyo. If you own an rear projection TV that is damaged or faulty or in need of a replacement projector bulb, the TV Repair Guys are can help you out. While rear projection TVs can have a long service life, over time issues with image quality can occur and bulb replacement is required. In other words you got a huge screen size for a comparatively low investment compared to the newer plasma or LCD TVs. One of the best attributes of rear projection televisions was that they offered great bang for buck. Moreover, if Mitsubishi really can cut the price of the technology, rear projection could once again offer a cheaper alternative to plasma and LCD even at the more modest, but still large, sizes of 50in-65in.Rear projection TVs are considered old technology now having being superceded by LCD, Plasma and LED TVs.
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After all, given how phenomenally expensive flat TVs can start to get once you get up above 70in, if Mitsubishi decides to launch its laser rear pro sets into Europe and can keep their price under control – the 75in model costs $9000 in the US – then they could offer a genuine affordable big-screen alternative to the megabucks likes of Panasonic’s 85in £50,000 85VX200 plasma TV. That’s not to say it’s a dead loss, though, by any means. In fact, if anything the problem seemed more pronounced than usual on Mitsubishi’s new laser-driven beast.Īll in all, it has to be said that the laser lighting didn’t deliver the quantum leap forward for rear projection performance standards that we’d hoped it might. We were also rather troubled by how reflective the Mitsubishi’s screen was under the aforementioned harsh lighting conditions, and finally we spotted a few too many reminders of the sort of ‘glistening’ effect we used to see with many rear projection TVs in days gone by. But it certainly didn’t do Mitsubishi many favours in the brightly lit environment of a huge show floor. This isn’t necessarily a big problem in a domestic environment if you’re looking for a big screen to stick into a dark room. Just as with most previous rear projection TVs, its images looked a bit muted in brightness and colour ‘pop’ terms compared with the most vibrant pictures from other technologies. The main problem with the Mitsubishi rear projection set, though, was that aside from being so engagingly large, its pictures didn’t really blow us away. It was also nice after spending time with so many LCD TVs to be able to watch the picture from a wide angle without losing colour or contrast. Motion looked natural too, and there really didn’t appear to be any significant levels of rainbow effect. They looked phenomenally sharp and detailed, with very good contrast and impressively uniform brightness levels, with none of the light ‘hot spots’ that used to trouble so many rear projection TVs.
In some ways the pictures from the Mitsubishi laser rear projection TV were eye-catching.
Which should result in minimal if any sign of DLP’s rainbow effect.
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The full HD screen is driven by DLP technology and three lasers, one each for the red, green and blue colour elements. For while the 75in laser rear projection TV certainly doesn’t stick out as far as old CRT TVs or even most previous rear projection TVs, it’s certainly much deeper than any current flat TV, making wall-hanging a near impossibility. Not surprisingly, though, the slimness does not extend to the set’s rear. These are all potentially significant advantages, and it was pleasing, too, to see that from the front, at least, the Mitsubishi TV had managed to keep up with the LCD Joneses by sporting a very slim bezel. Effectively the entire life of the product. Furthermore, whereas you’re lucky if conventional bulbs last for more than 4,000 hours, the lasers driving the 75in rear-pro TV Mitsubishi had on display are reckoned to last for 40,000 hours. This technology is laser lighting, which replaces the normal bulb illumination technologies to deliver what Mitsubishi claims is a very colour-rich picture while using much less power than conventional bulbs. But there, enjoying pride of place on the stand of Mitsubishi Electric, was not only a brand new, unapologetically massive rear projection TV but a rear projection TV boasting a brand new technology. While we’ve got a guilty fondness for hulking rear projection TVs, the last thing we expected to find at this year’s IFA was rear projection making a comeback.
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